Wednesday, January 26, 2011

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Sonora: From Inception to The Social Network Somewhere

By Pedro Emilio Bernal Segura




Two of the modern landmarks of last year that have been overflowing with praise, and little blind devotion as well as analytical pinchurrientas excessive inflation and nominations should be full quality (high or low holding) to the soundtrack that goes with that but to support the construction of the product will become the sole breadwinner as well as the outstanding element of this, their names being The Social Network of Inception Fincher and Nolan.

Inception , film medium, just another summer release in Hollywood whose greatest quality is to replicate the story in real life screen in originating the idea in the mind of the viewer to be a quality film to be just another movie sterilized by DiCaprio, depends on the construction and minimalist symphony at the hands of Zimmer in collaboration with Johnny Marr. Accurate and simple is the soundtrack of this work by the director of The Dark Knight that at the odd lack of efficacy in the narrative shown in Inception music comes out to support the imagination of Hollywood visual effects that can not be deny, in is exercised Inception masterfully.

Nolan's expertise for special effects. What makes Trent Reznor alongside Atticus Ross on the soundtrack of the film, Fincher can only be described as the masterpiece of the soundtrack of the "new era", the "neomodernism" or say J. Negrete, a perfect soundtrack for a world dominated by an "idiot just ... cliking refresh." If Greenwood had already made the first masterpiece of the new century in terms of soundtracks referred to There Will Be Blood , Reznor's more than creating your best work from the Download Spiral by Nine Inch Nails. A soundtrack that serves to complement the film, if not to make the function more than it should and even have separate validity, an act unthinkable for the film without notes "escorts" would be reduced to be called simply the culmination of the fall of Fincher. (Surprise is The Social Network as it was unexpected that the director may recover from that mother of Benjamin Button).

So impressive is the soundtrack to Reznor that you see on screen is bordered to fit the music. As shown in metaphorical Winklevoss sequence, performed, edited and produced to absolute perfection transnational television commercial which was announced in the super bowl where Reznor mixture returns to overshadow all efforts Fincher's visual. The scene would not work in the least if not for the edit of the work of Grieg.


[youtube = http://www.youtube.com/watch?v=zatmdqTYivI]

Zuckerberg's story serves as an allegory of film production. Fincher is
Winklevoss.
had a better idea not stolen but not the achievement of all. His work is dependent. Reznor is
Zuckerberg.
Not scourge, eyelet, resentful, megalomaniac, if not conceive because if I reach a masterpiece about and for the age of cybernetic alignment.



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