Claudi Etcheverry
Anyone who believes that range is a children's film to dry, think long, think you seen a 3D puppets bill this is a stunning story to make the kids do not fight at home locked up on a Sunday and nothing else. Range has several levels and falls much wise reflections and bright, without being apologetic or highbrow. Is one reason the identity that we can take to not stir up the kids at home while we read between the lines in a beautiful visual display solid (especially in this era when graphic resources are one of the main characters in many productions including some in which there is no other characters or not even a decent plot that holds). Many people believe that thinking about oneself is tantamount to crying spells, feeling overwhelmed, panic attacks or psychoanalytic sessions devastating.
There are other ways much simpler, not less sensitive "to realize that we are all determined by our own history and what the personality is to address the facts of the only way he knows: repeating patterns, even wrapping up in thinking that we crave more sophisticated and better argued to make us believe that we have exceeded our parents-those who are often noted as the architects of our molds, but seen from above, we are probably doing what they changing from the jam pot. There must be a skull to see what the truth is that without history there is no identity, and that surely repeat models us but we are convinced that overcomes reincarnated in an instance of our origins. Fox loses hair but keeps the tricks, and Range, a chameleon urbanite lying on a remote desert, is a literal metaphor for many of us.
The journey of this chameleon is truly heroic, not because they are facing bullets, but because he gets face to face with some questions of vertigo: Who am I? Should I? "It's good to remain who I am?, Although the film is not a sequence of stills to Bergman or a bill is presented in intimate and dark. We can see the film as a film elite which not think of anything else (whether knows that the world does not display anything without looking eyes). There have been many animated films for adults as "Fritz the cat", I saw in 1975, an intimate portrait of the critic and corrosive cynical American Society put on the skin of a cat that marked the boundaries with what politically incorrect to call it today, and you just killed her lover it is loaded ostrich smashed their skulls with an ice pick after much inter species sex . But without getting much further, those pictures were safe and suggested only a few cats fucking in a bathtub and a little more, it's much easier to treat than the idea who want to be and the frustration of facing every day with who we are without remedy.
The use of hiding a little behind thoughts of an apparently simple story is centuries old, and already tested Aesop and Lafontaine Samaniego, with naive animals that explain human nature and its deviations. For those who want to look through the gaps in this story, director Gore Verbinski animated features unlargometraje encouraging, never better, to see the passage of a chameleon who invents himself who is going off, not as an act of alienation or alienation, but as a search of his person because it makes him aware of his true nature in a personal design, lucid and stubborn, headed for who wants to be respected yourself. A casualty leaves him literally lying in the road, losing all references (such as identity crises, heh ... heh ...) and it's the first metaphor that it is a chameleon, a creature that by definition goes into mimesis with everything it touches. But he soon realizes that the shots do not go around, and is face to face with who should be unambiguously to come into balance, as Ortega y Gasset would say, between himself and his circumstances.
The thought of repeating patterns is evident and was soon useless guesses. The bug squamous warns if you keep repeating what he did until now not going to be really happy ever, unconvinced that are its arguments. Then he gets serious for determining who is, where is the tank and what fuel leads. Even further, the film presents both the source of personal identity in parallel to the origin of a nation in which the West was used as a heroic symbol of tenacity settler, after conquering the territory and have many dead, see here how to forge and breaks into a savage capitalism in which economic resources who have retained power over others. Here the hero and villain counterweight will not only moral nuances, but even the writer goes much further by showing the physical landscape change meant that going natural desert they found the settlers in the plains studded with concrete in the middle of fields with artificial irrigation we saturate the real estate brochures eyes as we emptied hits the pockets of mortgage. The film is redeemed happy fresh water flooding the dry town this 400-year history shown in 110 minutes.
cinephile Verbinski reveals reissuing the Babe mariachi and Apocalypse Now battles in treble clef, and while this seems a pastime and the kids think this is another of Disney or pure 3D, while screen passes and the kids have left us alone. Which puts us at ease is not this movie, except that we have decided to see her putting barriers in the field and look childish eyes blocking out the sun with their hands. But you know that you can see where it allows its own history, and look at the picture with yourself in is a virtue rare because the eye never sees itself. In this chameleon eyes diverge doodle fun, although in what for him is the scenery apparent one cow-boys, the little guy has the balls to ask saints themselves who want to be.
And she succeeds.
(Gore Verbinski, U.S., 2010, with Johnny Depp in the voice of a chameleon ragged and tentative)
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